Describe your finished track once. Textlino writes the Spotify pitch, a short bio, a press blurb, the pre-save and release-day posts, a TikTok caption, the YouTube description and hashtags, all telling the same story.
Same artist, same track. One writes alone, one uses Textlino.
"Release is in two weeks. I still need a Spotify pitch, a bio, an announcement, release-day posts, a YouTube description... and I'm not a writer."
"Spotify pitch: 'Night Bus' is the debut single from Kraków producer Ola Sowa, built around a voice memo from the tram home... Pre-save post: 'Night Bus' is out on [date], pre-save link in bio. TikTok: This hook was a voice memo first. Plus the bio, press blurb, release-day post, YouTube description and hashtags."
From a single sentence about a fictional track, 'Night Bus' by Ola Sowa, a slow electronic single recorded at night in Kraków. Placeholders mark facts the artist adds.
'Night Bus' is the debut single from Kraków producer Ola Sowa: one mic, a borrowed Juno-60 and a hook that started as a voice memo on the way home from a shift. 84 BPM, made for late-night playlists. For fans of Nils Frahm and early James Blake. A live session video comes out on release day.
Ola Sowa is a Kraków producer who makes slow electronic songs at night in a rented flat. Her debut single 'Night Bus' grew out of a voice memo recorded on the tram home and was finished on a borrowed Juno-60. It's out on [date].
'Night Bus' is out now. It started as a voice memo on the tram home and ended up as my first single. Link in bio. Which part would you loop?
One week of 'Night Bus'. Thank you for every share and every message about your own late commutes. [Something real that happened this week].
A release is more than one post. Around a single you usually need a Spotify pitch, a bio that mentions the new song, an announcement with a pre-save link, release-day posts, a YouTube description and something for the week after. Written separately, they drift apart. Written from one description of the track, they tell the same story in the right form for each place.
We built Textlino because we kept running into the same problems.
Spotify wants 500 characters for editors, Instagram wants a hook, YouTube wants credits and links, press wants third person.
Written on different days, the pitch, the bio and the posts end up describing three different songs.
Pitch, announcement, teasers and release day come together, right when you're also finishing the video.
A good draft marks what only you can fill in (dates, links, names) instead of making it up.
Platform rules worth checking before you write.
From a few facts about your track to a draft you can edit.
What it sounds like, what it's about, how it was made, who's involved, when it's out.
Short gives the core set; long adds an EPK bio and more room in each text.
Each piece comes as its own card with a copy button, in the order you'll need them.
Add dates, links and names, then schedule them with the free release plan generator.
How Textlino compares with writing it yourself or hiring a copywriter.
| Feature | Textlino | DIY | Copywriter |
|---|---|---|---|
| Texts per run | 9 (10 in the long version, plus AI disclosure lines for AI-made tracks) | One at a time | Per piece or as a package |
| One consistent story | Built from one description | Easy to drift | If briefed well |
| Cost | $4.99 per campaign, the first one free | Your time | Usually priced per piece |
| Invented facts | Uses placeholders instead | None | None |
| Revisions | Regenerate, shorter or longer in one click | Rewrite it yourself | Usually limited or paid |
Paste your vibe, pick the format, get copy that sounds like you.
Guides and free tools that go with the Release kit generator.
Everything you need to know about this tool.
Describe your track in the generator, pick a tone and get a first draft you can edit and paste.
Generate my version