Musician, band, DJ or producer: writing about yourself is the worst part of the job. Give Textlino a few facts and get a Spotify bio, a press-kit bio and a full artist biography that sound like you, not like a template.
Same artist, same track. One writes alone, one uses Textlino.
"Hi, I make music. I'm from [city]. Follow me."
"[Artist] is a singer and producer from Gdańsk who writes about leaving small towns and coming back to them. Her first EP was recorded in her parents' garage on a four-track she found at a flea market. Since then she has opened for [support act] and played [festival] in 2025."
Sample outputs for three different artists, generated from a handful of facts. Names are fictional; the structure is what matters.
Velvet Harbour are a four-piece from Bristol writing guitar pop about the hours between leaving a party and getting home. Their 2025 EP 'Streetlight Static' was played on regional radio and picked up by independent playlists. New single 'Half the Way Back' is out now.
Mara Kowal writes songs the way other people keep diaries. The Kraków-born singer-songwriter recorded her debut album 'Small Hours' alone in a borrowed flat, then watched its lead single climb the Radio Harbour alternative chart. Blending fingerpicked guitar with field recordings and close-mic vocals, she has since opened for The Gulls and played Harbour Sounds Festival. Her second album arrives in spring 2027.
Before he was a producer, Tomasz 'KLIN' Nowicki was a club sound tech who spent six years listening to what made dancefloors move. That education shows: his tracks sit between UK garage swing and Berlin techno restraint, built around chopped vocal samples and sub-bass that stays out of the way. Since his 2024 debut on the Lowlight label's night series, KLIN has played Harbour Sounds, Northern Static and a sold-out livestream from a Warsaw tram depot, and his remix of 'Glass Veins' has become a late-night staple for DJs across the Polish club scene.
Whether you type it yourself or let the generator draft it, every strong musician bio follows the same structure. Use this as a checklist before you hit publish.
Name, genre and one concrete sonic detail in the first sentence. "Lo-fi producer from Leeds blending tape hiss with gospel samples" beats "versatile artist with a unique sound" every time.
Releases, streams, playlist placements, radio plays, support slots, press quotes. One real number does more than five superlatives.
Where it comes from, what changed, what you are chasing now. Keep it to two or three sentences; curators and journalists skim.
Upcoming release, tour or project, then booking and press contacts. Write it in third person for press kits and Spotify, first person for Instagram.
A 1–2 sentence Spotify or Apple Music bio, a 100-word press-kit bio and a 250–400 word long-form biography. The generator produces all three from the same input.
An artist bio introduces you to listeners and to people in the industry. The same facts appear in different lengths on Spotify, in your EPK, in festival applications, press releases and on social profiles. Bookers, journalists and curators often read it before they listen, so it should say quickly who you are, what you sound like and what's happening now.
We built Textlino because we kept running into the same problems.
You know every detail of your journey, which makes it hard to pick the three that matter to a stranger.
One line for Instagram, a paragraph for Spotify, a page for your EPK. Keeping all of them current is a chore.
'Groundbreaking artist' sounds empty, but being too modest makes you forgettable. Concrete facts solve both problems.
A bio that still calls a two-year-old EP 'upcoming' makes an active artist look inactive.
Platform rules worth checking before you write.
From a few facts about your track to a draft you can edit.
A few sentences about your genre, influences, story or recent releases. Even 'dark pop from Berlin, influenced by The Weeknd' is enough to start.
Professional for press and Spotify, emotional for storytelling, hype for social. Short for profiles, long for an EPK.
Built from your own facts, structured the way press bios usually are.
Spotify for Artists, your EPK, applications, social profiles. Update the last line with every release.
How Textlino compares with writing it yourself or hiring a copywriter.
| Feature | Textlino | DIY | Copywriter |
|---|---|---|---|
| Time to a first draft | Usually under a minute | A few hours | Days, depending on the writer |
| Cost | A full release kit for $4.99, the first one free | Your time | Per piece or per hour |
| Short and long versions | Switch length and regenerate | Rewrite each one | Often extra cost |
| Facts | Only what you provide | Yours | From your brief |
| Revisions | Regenerate, shorter or longer in one click | Rewrite it yourself | Usually limited or paid |
Paste your vibe, pick the format, get copy that sounds like you.
Describe the track once and get every text around the release. Add a release date and they come as a calendar, from the Spotify pitch three weeks out to the thank-you post a week after, each with a link to where it goes.
Guides and free tools that go with the Artist bio generator.
Everything you need to know about this tool.
Describe your track in the generator, pick a tone and get a first draft you can edit and paste.
Generate my version